Wings of a Falcon by Cynthia Voigt

The Wings of a Falcon (Tales of the Kingdom, #3)The Wings of a Falcon by Cynthia Voigt

My rating: 5 of 5 stars

Fantasy books get a lot of flack from “established” literature. Children or young adult fantasy books get ignored by adult fantasy readers. So between the two, I guess it’s not surprising to find that this book is an undiscovered gem. But I urge anyone who has a few hours and spare 99p or whatever ridiculously cheap cost it is on amazon, to pick this book up and give it a try.

It’s hard to pinpoint exactly what makes it so good, possibly because it conveys different things to different people. To me, I see a lot of is as an analogy for morality – moral codes, justice, love, selfishness; about growing up and understanding these things, about making the right decisions and becoming a good person in the face of a corrupt and terrible world. I guess that really appeals to me. Other people I know whom I’ve made to read it all had different interpretations or things they focused on, although they all enjoyed it just as much.

Ostensibly, WoaF is about a couple of kids who grow up in what is basically slavery and cruelty, escape, and keep going. There is no magic, all sword and no sorcery so to speak; there is no epic quest, save that of survival and endurance; there is nothing you will expect, and an ending that will surprise and touch you. But despite that, it IS magical, and it IS epic in its own right.

The supposed hero, Oriel, is a (somewhat ironic) example of the perfect hero; a force of nature who succeeds at everything he touches, who inspires everyone he meets. But to be honest, I actually think the hero of the book is Griff, his quiet companion/follower, who also escapes with Oriel and follows him from one adventure and conquest to the next. Griff is no leader among men, but he has an unshakable sense of morality, and never once makes the ‘wrong’ decision about anything. But for Griff, Oriel could easily have become a villian; his only interest is in being the best in a given situation, and he often aims towards that irrespective of the people who get hurt in the process. From Griff, Oriel learns to be a good person; from Oriel, Griff learns to be a strong person; and from Beryl, the third (and lately introduced) protagonist, both boys learn about love and sacrifice.

There are actually a lot of themes which some adults find upsetting, particularly the relationships between Oriel, Griff, and the two women characters. Rather than go into details or spoil things, I would remind readers that Cynthia Voigt is an avid feminist, and (in my opinion) her portrayal of Beryl and Merlis is designed to provoke and challenge (both the fantasy world she has made as well as the reader’s assumptions about Oriel’s character) rather than to blandly offend. As I’ve said before… (SPOILER ALERT)… Oriel isn’t truly heroic, and his actions in regards to both women underscore that more than anything else in the book. Whether or not he gets redeemed – well, you’ll have to read to find out.

A lot of so-called “children’s books” are books designed to ‘trick’ kids who don’t want to read, into reading. This book is NOT that. This book is for children who DO want to read, and for that reason I suspect it probably isn’t very popular among a lot of younger readers, certainly when compared to the other 3 books in the series, which are comparatively a lot simpler, and definitely more kid-like. It is also likely to get missed over by adults, who will just see “a kid’s book” and not give it a try, but actually it has a LOT going for adult readers.

 

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Getting Published

Two full requests out with two different publishers.

Not quite a year since I decided to start writing and Finish That Book–this is amazing progress, and I’m really happy.

I have yet to hear back from Cornerstones–they may also provide me with more options.

I am pretty confident at least one of these three routes will take me somewhere, but even if none of them do, I feel (perhaps optimistically) that publishing is just a matter of time, now.

First full request

Situation as stands: I submitted pages + synopsis to a small but well-known publisher back in April. In May they contacted me to say they liked the writing but had no space for anything new, however they had forwarded me on to another small (but very good) indie press with a recommendation.

Second press said they’d read in “a month or so” but I’m not expecting to hear back really! However, they didn’t flat out turn me down.

This past week a second small publisher have requested full MS.  Response in 4-8 weeks.

So far I’ve only had interest from actual publishers, and not agents, making me think I should be submitting to slush piles.

Children of TimeChildren of Time by Adrian Tchaikovsky

My rating: 4 of 5 stars

I found this surprisingly good. Surprising because I tend towards the soft and literary end of SFF, and also because I bloody hate spiders. So much hate.

I looked up the author and was not at all surprised to see his roleplay interests. This would be a fantastic roleplay setting (and hey, the spider story is good too). He does a good job connecting you to characters who change (as in live, die, and are replaced by new ones) through the centuries.

I found some of the human portions slow but the whole thing pulls together nicely at the end, with subtle moments of profundity and quirky, interesting observations and insights.

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The Library at Mount CharThe Library at Mount Char by Scott Hawkins
My rating: 5 of 5 stars

Ambitious and dramatic–a riveting story of how a group of people are changed by their traumatic childhood, told through the filter of a speculative fiction novel about a woman who is trying to become God.

To understand my review, let me put it this way: I would describe Lilo and Stitch as a story about a girl being taken away by social services, told through the filter of aliens and monsters.

It’s that kind of thing but darker and for adults.

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Assassin's Fate (The Fitz and the Fool #3)Assassin’s Fate by Robin Hobb

My rating: 2 of 5 stars

Some good dialogue between the characters, but seriously poor overall.

The narrative was feebly constructed, and events seemed to occur mostly as a vehicle for fitting in as many series cameos as possible even though it made little sense for those people to be there half the time.

Hobb routinely did multiple bait and switches (they’re dead! Oh no they’re not. Yes they are! Nope, just kidding. For real this time!) to the point of tedium, even apathy. I no longer really cared if they’d died or not at the end.

The actions weren’t thought through. For example, Fitz spends the latter two books convincing Fool to embark on a certain course of action, which they agree on multiple times is the right thing to do, and is set up to be so; this is reversed in the last moment by one line of dialogue from Bee. I almost think Hobb changed her mind last minute.

So many things were like that. The book feels unfinished, rough second draft stage, perhaps in need of a good edit. As a long term fan who found the original series influential, I was extremely disappointed.

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The Etched CityThe Etched City by K.J. Bishop

My rating: 5 of 5 stars

Simply brilliant.

It does require a lot of patience, this novel, since around 60% of it is setup for a series of events which, at the beginning, seem to bear no relation to anything else that is going on.

My advice is to read it as you would read a Wolfe book: by which I mean, sit back and enjoy the exquisite prose, and stop worrying about what you are supposed to be focusing on. The author has a goal, the story does go somewhere, and everything is included with a purpose.

I fear that we are losing the ability to read books like this in the mainstream, despite its relatively recent publication (although it’s been 11 years since it came out–not that recent I guess). I notice that many readers and writers want to be able to see a book’s direction, from the get go, which always puzzles me. Why on earth would you want to read something where you are basically invited to guess the thrust of the narrative in advance?

Enjoy the surprises, the allegories, the musings, the carefully constructed scenes.

Oh, and the head hopping. I’m loving that. I love books which break rules in this way and I think the head hopping here is brilliant.

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